I got a private dance teacher to avoid complications with basic temple dancers. Who hasn't got a crazy dancer story, right? As an impounded virgin deity, there wasn't much i could do at all in fact except parade my tail, and it was already an actual tail by then, up and back on the wide ceremonial terrace overlooking the visitation gardens, as well as being looked upon by them, up and back as a living sacred frieze and moving avatar of the the scriptural pendulum of whatever 12 times up and back in a pyncofiber headdress twice my height. But after a session with Mkidza Mlaf, ancient mistress of the dance, i'm just like any proper temple sprite who lives to dance the dance to live the life of dance to dance the dance of dance hopping in place clapping my hands in honor of the teacher and to express an opposing pleasure to all the pain she has just inflicted. For her to see me now with prominent inter-speciel features increasing by the hour, i see her differently as well: my display of even a hallowed tradition meant to celebrate Mrs. La Mkidza is now to her a horror disgust offense. Why does Mkidza agree to suffer through these "master" classes that a common fleke girl could teach just as well—and with more empathy? Sure, gold coins, and many of them. But more than that it's the sacred power of the dance of the sacred power dancing the sacred dance of power the sacred dance of dances the dance to live a life of dance to have the power to love the power of life to live to dance the power to dance to live a life of power dancing the sacred power of dance. "My name is Mkidza Mlaf," Mrs. once said, "...and my kids are every child anywhere who doesn't know La Mthyuh."
Ch. XLV, "La Dance"
from:
I, An Impounded Virgin Deity
by Reptily