Potential redactor

Illyn sprouts up through gravel once again sharp and tender. He barely lives behind some boulders healing the shreds, tearing of salvation, reeves upon scars upon previous birthmarks tho he's all the same incarnation. He keeps having to be reborn at the age he left off at, but uglier.

Soon Illyn's scaled the fake adobe privacy wall of a spa resort and coaxed away a guest's evening clothes, left the gentleman puzzled and trembling in waves of nile linen. Soon Illyn's grinding gears, engaging wipers, igniting lamps of a wood-paneled wagon unstable of wheel up flashing commerce canyons, maybe blurry Monte Carlo, Florida or a roadside tourist trap outside Phoenix, Greece: goats balancing on pyramids for coins among garden torches.

He's going to try it this time around as an effeminate storefront preacher by the name of Lawrence Avenue. By now his jaws activate a birdish cartilage elbow way above the temple either side the head when they speak, so flakes will remember this Illyn as pelican with celtic afro and turtleneck shirt, who Got named him Lawrence Avenue because it made the pavement he got born and saved and ran away on. All that before he went and stayed and preached and was that street.

Soon he is trucking out the Upchank elevated station with the vent flaps in the sport jacket bouncing as if on a pair of hams, but has to stop cold. Blasting toward him, a swelling vision: brown-beard-flying Eiremann in some kind of poncho and like a cross-country passing spike, mightily-handled butcher's clave, in his fist. Illyn reaches deep to find his grim-handy response to each life threat, the dickish fact of his own invincibility. Still it's not surprising how the weapon bearer bounds on by, the fugitive of an even greater terror.

Rounding a corner, she is progressing down to just the classic bra, and very sweaty whipping off and out of a long-sleeve denim career issue of a meat factory and winding it about her boning hand. She is out to disarm a man she knows from the tank. As in spontaneous passion play for king or inquisitor, the pair decide to stop there in the middle of the lane, as if Lawrence Avenue was a stage, and as if there were a way that Lawrence Avenue, their potential redactor, should behave. He stands there like a big-adam's-apple cartoon freak. The brawler worker and her would've been attacker have to pause, concede that Lawrence Ave is weak. Not an action, but a stepping stone to Peace.