Looking into her, there is mostly paste of fog, not her breath. Her steam/ perspiration. There are legends that explain all that. Then over to the right is Shame of Mthyuh, where her "spittle" is released in an ever-humbling reminder of her own giddy stupor of imminence. This is a noxious mix of sulfur and molten aluminum. But then towering above, as balance, or ballast, are the famous Pride of Mthyuh, the t-chanks. They really seem to say, "I'm all that." And if you don't think so, howbouda dubba-berra? Others have posited that these chanks, like their many cousins in the region, are really the petrified guano towers of now-extinct salty lake queen cranes or monarcas d'ensalago. The last known queen was shot near the Nevada border after her dizzyingly metallic sheen and spirited aggressiveness became part of a 1950's ufo mixup.
These hovel-hived hills building gradually to reveal the truly terrifying gape of the Mthyuh Centre site are so full of history and tradition, which has almost always been a tradition of history, that history itself seems to have left its proverbial wheel ruts in the winding, postcard rack-lined stone walks. Surely the movements of these, each speckled warm litter, scarcely more than temporary stewards of this obscene rendering, by nature, of nature's own truth and who have long since been ground themselves to dust by her avenues, having taken the tinjid waters from baptismal to dethbed spongebath-- are as real now as time itself, if not more. If not more.
Wednesday, November 19, 2008
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