Mum's pleated wool skirt was soft and absorbent. Her thighs were not so bony as to be scary or uncomfortable against the cheek, and not so big as to be mottled or odorous. Her knees were a wholesome cushion of responsive and supporting tension, a blood-water-fat balance that seemed custom made for Peggy's face. She cried and cried.
If you could step back from that scene, you would see the projector above the door behind Peggy and that her mother's image was a hologram.
Monday, March 3, 2008
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