Kevin Reynolds lay on his back at the bottom of Mike's foreclosed swim poo echoing, sobbing. The sound reminded him of
la musica chanquera, the rustic kind that twanged back at your song. It was a form of prairie yelping, wailing known in oldtime saloons. Now his world was cement, a drapery of shunning, much as original ropeswingers saw night as a vanity curtain and privacy overkill. Most of all, there was no Mike: the most un-metaphysical man in the world. This had been a place where they could move in and out of one atmosphere and onto the next and up and back from one surface to the other together. Kev just couldn't help belting out,
"A circle of backs makes a cage;
all the asses seem flat this way;
no matter how much I ballet,
they snatch, trap my gay rage.
"Jaula de espaldas,
albergue de silencio,
aparte de mis amargas
lagrimas, gotas sinceras.
"Zif yor on a big-top lion's den
expressing your nails, glands,
in a trade of begging, demands
with chairs dressed as men.
"Cerrajon de esperanza,
Cojonudo de fortitud,
Menos carne indefensa:
unica arma, boca inmensa.