Auspicious moment

There are no bats in this story. 

Well you sure look like one! [Other young men giggle or twitch their hands.]

Go on. Feed the flower, child. 

He doesn't wanna do it! [The young man stands up. There are no longer feet on the coffee table.] Give me that coin! 

The young man, a solid bio-engineering grad school candidate, tries to get up from the filthy sofa, but he is knocked back down as if by a sonic boom.

Suddenly, there is disco. 

Reptily's hackles rise atop her head to full height, translucent like tough, thin slabs of bacon shocked with blue.

The faces of Jan's daughter Jan and her boyfriend Lloyd can be seen peeking through the outside window to the chamber of the Mthyuh First House. Behind them, the ankles and three-clawed feet of Mrs. Jansdaad have stopped, steaming in the dust, and the music, except for the highest and most soulful of the voices, has faded completely. 

The young men may or may not not have believed in the Monster Poinsettia, but they all know what a K looks, sounds and smells like, even from miles away. Now there is one that appears to be waiting patiently outside their door. 

Take me, Chama. I am your slave. I pray that Mthyuh eats me first.

One by one, the young men fall to their knees around the Spanish-revival coffee table, repeating the chant, holding tight to the rings of black wrought iron letting their tears, snot, and drool rest on its glass top now instead of their shoes. 

Soon the five young men can be seen obediently following the Chama's five fleke slaves up into the jungle and this way and that in a line along the switchback trail that crosses the hill to Mthyuh Chank. The one on the end has been tasked with carrying the poinsettia, which he holds at arms length and with great exertion as far away as he can from his face. 

Greetings of welcome my travelers, fresh through The Crack. Welcome to Mthyuh First House. Your moment of arrival couldn't have been more auspicious. I would invite you in, but... [Chama steps further outside, cranes her neck back and blinks awkwardly to parse Mrs. Jansdaad's hideous face from a blinding sky of bright, silvery clouds.]

Early Spring Interactions with Neighbors are Painful and Sweet

Since Jan's been gone, new Jans have moved in next door. They are hesitant to let their kids come near me, as they should be, when our backyard activities intersect, as they do and will. I think at first they regretted that I'm a single man with no wife to watch me and no kids to play with their kids. I tried to gain their trust with greetings, offers, and small concessions so that they'd at least relax and appreciate me as a good neighbor. They did leave a key with me when they went off to Dubbaberah Chank for six weeks. The kids have noticeably grown since they left, and I've just told their mother so. Now I find they'll be moving to Dubbaberah soon.

The neighbors in back have exposed a vile and disrespectful streak. Am I a magnet for sociopaths? Never again will I enter into a dispute with a non-property-owner girlfriend of a property-owner neighbor. Always speak with the property owner about property issues. Typically, a young female Jan will make up for her feelings of insecurity about not being on any legal license or deed by entering into property disputes on behalf of the romantic partner, a sort of second-best to an engagement ring. I don't know what a male non-owner romantic partner would do in that situation because I have not encountered it. 

The other next-door neighbors are flekes, and they give life to our dead end on the park. It's impossible to tell who lives there and who's just visiting, who's related to whom, where this dog or that dog went and how he got replaced by another backyard dog. The father died. I'd seen him with his head in his hands on his front stoop one day, the day after his front window had been busted out with a rock. 

All my life I looked at the other end of our street as the bad part, and now I've brought all of that here, he says, wiping his face.

I haven't noticed anything else, was my answer. 

Yesterday I ran into the new owner, the ex-wife, as I was coming back with Lala from a walk. Her dogs were barking at my dog, whom I'd just let off her leash, through the fence. 

What's all the commotion out here, boys? She shouts coming out the back screen door. 

Lala is just showing everyone who's boss around here, I explained. 

Oh, dog stuff, she concluded, going back inside. 

Yeah! Haha, I replied.

Red flag

her home has a sign says no hate here

but i see her in her back yard

looking around for watchers

and rolling a log across the property marker

The seedy part

Five students at High Chank U who went to the same high school together are sitting around on filthy sofas. 

Common chamber rules Mthyuh First House put your damn feet on the damn furniture. 

Yeah! [Most of group places their immaculate athletic footwear atop a long, wrought iron, olde-Spanish-mission style coffee table with a precarious glass top.]

Say has anyone seen that guy Ilyn remember?

Ahhhaha. Out of sight, out of mind. 

What a freak that guy was-- with all the rings, right?

Yeah Rings of Ilyn we'd sing.

And the teeth necklace. He drilled holes when they extracted his teeth. 

When I think of what we did to that pervert. 

Don't you feel sorry for him though.

Totally, you think I'm a dick?

That's why you do shit like we did to a guy it's to wake them the fuck up. 

Wow brother you are caring truly now. 

ENTER Reptily and a potted plant. Four slaves follow in line behind her and take positions against the circumference of the chamber. 

Shit that looks like La Chama. 

No it's her bitch self Reptily. [Whispering] Her hackles are up. 

Yes it's me. I am Reptily. You are strong. You'll be among my proud slaves. You will have many wives, and your children will feed our Mthyuh. This is the Mthyuh First House? 

Ya but we are just staying here while we are in school. 

Tell me this. Who believes in the Monster Poinsettia. 

Hah it's a myth. 

I don't know-- I saw a guy once and

Fine. Your friend says it's a myth. I'll tell you what. If he wants to prove to me that this flower in this pot is not the Monster Poinsettia, then I, too, am a myth, and he will not be my slave. 

He's not really my friend, he's...

What do you say. Come here. 

I

Do it. Just do this. She's right. We should just kick her ass. There's no real Chama. 

The young man stands and walks around the coffee table close enough to smell Reptily. 

Don't swoon now. Be a man. Have you got a shiny coin?

Most of the young men check their pockets for shiny coins just in case.

Now give it as alms to the flower. Right there into the seedy part. Go on. It's only a myth. 

 

 

Fresh box

Reptily's slaves bring her a fresh box of shiv, bow, and remain hunched over as they leave the chamber. She opens the box and smiles, leaning all the way down to the floor from her seat. 

 

They bring it in this stoned and gilded box, a heavy safe that can keep its contents sound for a thousand WD. As if. I don't save enough for later. I eat shiv daily as if it were the last day of my life. And that too is ironic, for I fear I will never die. 

Chama, there are flekes nearby, calls a fleke slave. 

Ah, I could slay, rob, or traffic them. What a bore. Maybe they need help. 

Within The Crack

Lloyd... It seems like the only time when you are not verbal is during sexual activity, in which case I wouldn't actually mind. 

Mrs. Jansdaad farts. 

When they wake up, they are going through The Crack.

When Jan's daughter Jan looks up, she can see Lloyd's foot only. But that foot, shod and pant cuffed, is all that she can see anywhere besides herself.

Both Lloyd and Jan feel the peristaltic waves, inside themselves and all around them; they can watch the undulations against their clothing and feel it on their faces and the backs of their legs.

Jan hears a voice.

Oh really? Well you didn't even go to high school-- it was more like low school. 

Lloyd?

Oh my god Jan can you hear me

Yes. Very funny.

I think we're going through The Crack now.

Uh-huh, baby. You're the brilliant one.

The Crack is home to a billion holes

They say The Crack is home to a billion holes. Pilgrims, daredevils, and lost hikers alike will never be able to predict when and where they will come out. 

The Community College of Cement's entire Chang K. Chang Chank campus is dark except for a few pools of security lighting-- and the strong yellow bug lamp which illuminates the Crack Door Event area. Jan's mom Jan Jansdaad's steaming underwing fat flap is all that's keeping Jan and Lloyd from falling hundreds of feet into the parking lot below. 

Jan lands as close as she can to the bug light, which is there for the air conditioning unit attached to the bookstore next to temporary mobile classrooms B-D. Most campus employees, students and visitors walk around the air conditioning unit instead of trying to duck under it, which could cause them to end up in sudden Crack-related peristaltic shock (SCRPS), and besides now being invisible, their associates quickly begin to forget they ever existed. In this respect, SCRPS can affect an entire community from one instance only.

Lloyd is trying to keep up with Jan and her mom. As the odd group rushes across the moonlit baseball fields, plumes of white chalk dust spray from below Mrs. Jansdaad's three-clawed feet. And then they have crossed a short span of black top, and then they have reached The Crack. 

They might sound a little like disco when they're running, but when they stop there's nothing but funk, says Lloyd.

Downward motility

become an animal during wartime, there's maybe a way back;

going feral during a peace assures that battle will be your path.

by Ilyn

"Sermons" frag. 18

Dire Cricket

Lloyd has been awake for a just few moments without moving from the tangle of sleeping bags a Scouts of Mthyuh brigade had donated to the clothing drive bin that the beast had lifted from its cement moorings and dumped here in its cliff nest. 

He fears that if he moves he will lose the beautiful light scent of jasmine? Monster poinsettia? It's very early in spring yet, and how would flowers grow this high up against a rock? He even imagines he can  follow light, pensive plucking on a mandolin. 

Then young Jan, sweet Jan, is walking toward him in gentle rays of light, with the massive and hideous silhouette of her mother resting behind her against the moon and clouds. The beast's subsiding breaths after flight create the lilting music as her lungs contract with a melodic metal popping perhaps more similar to a steel guitar.

In this new place, with his confidence dashed for once, Lloyd sees Jan's daughter Jan anew. He is prostrate and broken; she represents a future, a woman who can change his life for once, powerful in a sleeveless chintz chrysanthemum-print frock, even while barefoot and picking her way toward him through the soft debris.

He waits until she has climbed up beside him in the heap of torn, shiny viscose lining, fluffy polyfill and plastic zippers, her red-dark face only inches from his own. 

How

Shush. [She places a finger across his lips.] Just listen. And breathe. 

He draws in another chestful of her cologne, which is Dire Cricket, by Pharmsupply.

I'm here to take you away. It's... you know that's my mother, right? 

Lloyd nods, slack-mouthed.

Well she never wanted to hurt you. Only that you'd understand. To stop being such a shit.

Lloyd stares up into Jan's shadowed eyes, at the impossible sparkling there. 

She wants... and it's not really up for discussion, you know? She wants to take us through The Crack.

Back at APSNIPE

As the sun begins to lower behind the peak of Chang K. Chang Chank, Jan senses an awakening in the Injured Entity bay next door. They are separated on that side by several feet of ancient volcanic rock, through which a ceremonial glory hole had been drilled and through which they now whisper with the backs of their tongues, as only female K's can do. 

If we speak with our minds they can track it. 

I know. 

Are you ok? 

I will be. Flekke attack. Asshole. 

You are an inspiration not to kill. 

What do you mean. 

I mean you could have killed the flekke. 

Well he may become my son-in-law, so...

Ah right. I have kids too. 

Wait are you

Yes, tiny baby. I am that old. You can call me

Peg. You are litterly painted in shiv temples. They sing a song about you. She 

Had three kids when she went with the winds. I know. 

I don't know what to say. 

We live forever I guess. 

 

How are you sleeping?

a generosity of thoughts and feelings overflows me

and to you that shit is just a horror show

i know i'm not a fleshy projector for a 3d screen

i'm only the one who has to watch you go

 

 

 

by Jan

"For Jan"

filter tearing

 

The argument for bioaerosol surveillance

K farts are so voluminous and dense that they can leave streaks in the sky that are barely distinguishable from wispy purplish clouds in a sunset. They are potent enough and in a way that can make mammals lose consciousness momentarily or even slip into a light coma. 

It is through the implementation of one such bioaerosol release that Jan is able to resecure her cliff nest by disabling Lloyd Bentbridge long enough to confiscate his weaponry, hurl it into the void, and get him locked into a leafy, teepee-like structure before he wakes. 

As she folds her wings across her feet to rest, Jan feels as though she is being watched. It's not long before Lloyd's mother, Lady Brentridge, appears with a fizzling shower of sparks and stands before a gaping, fogged-up hole in the cliff face. 

Their speech is echoey and through the mind only. 

Lady Brentridge: He's my son. How dare you?

Jan: He was trying to own my family. 

Lady Brentridge [after a pause]: He was always trouble. Thank you for not eating him. 

Jan: Now you're making me sick. 

Lady Brentridge: You're sick? Twenty-one years. Think of that!

Lloyd's Off Birth, by Lady Brentridge de Modena

 

It dies and leaves a rock inside you

Never cries or bleeds or says it loves you

Ruins every dream because you

Know it's missing from the boy you love.

Jan: I swallow rocks to help me digest meat. 

Lady Brentridge: Let's focus. What is it that you want?

drip trail down to the river

a harsh ray on a winter day

seems to dissect you trans-

laterally. finally the world 

will have its way

these gusts are sweeping up

your dust. mud pushes in 

the windows and weevils

turn in the flesh

 

now gravity alone owns

all the future dotted lines. 

rushing water under ice 

came from melting

by Jan

Defeated

He caught me with a fence rod

tip-tied with a hand-filed Ginsu

ventral to the funny bone.

So all I could do was drop my

shipload of stonecakes, and flew

like a tumbling letter K

 

to Mthyuh Preservation Society's

Amnesty Pit Stop for New or Injured

Prehistoric Entities

And is that where I am now, yes. APSNIPE. I can tell because you are communicating with me through the mind or body part of one of my species, which I'm sure is a living horror for whomever it is. I see my sentences/ ideas come up on the slab. But you don't realize she is also saying help me I am an enslaved and exploited sister. 

 

All she has to do is spend a few hours a day with her head strapped to a table built for lucid brain surgery. She's just a conduit to you, a three-pronged plug. Sure, some of us fly free with impunity. And I need your help. So please proceed.

 

APSNIPE is located on the site of the first K sighting: a Sears parking lot. The original asphalt is sealed and textured to facilitate landings. Amid a virtual city of scaffolding and tarp, MPS technicians scurry and pause, scurry and pause. 

Hello, I'm Connie? And I'm here for your preen gland checkup.

Lloyd and lady

Feeling tired, Lloyd lays his head down in a gaggle of bras and closes his eyes. 

Lloyd: Now I could be anywhere, in bed. I wish I could wake up. I can't look anymore. God it's a gorgeous view, but far too terrifying. Some perspectives are meant to be set aside only for those who choose them. I could understand if I were a mouse, but come on it's a different level of consciousness. 

Lloyd's mother, Lady Brentridge de Modena Chank, appears in an impressive burst of optics.  

Lady Brentridge: Son why did you take my name. 

Lloyd: Because you have a title, and dad was a... where are you?

Lady Brentridge: I've been waiting all this time for you to reach a certain altitude else I cannot get through the Filter of Loathing. 

Lloyd: So the dead can... Mother?

Lady Brentridge: Yes, love.

Lloyd: Can you save me?

Lady Brentridge: No, darling. 

Lloyd: I

Lady Brentridge: Don't speak. You've got to act fast. As soon as you wake up from this nap, fashion a weapon from the wood in the nest. Look for maybe some scrap metal for a blade. You'll have the element of surprise when she gets back. Good luck, my little lord. 

Oh, and uh, by the way I just wanted you to know that while my intention always was to guide and protect, and to do that with my heart full of love, at the same time, however, I was paying so much attention to my role that, well, I recognize that during some moments I neglected to respond to the nitty-gritty contents of your life in a lucid or humane manner. 

Now when you're ready, go for the eyes first.

Police Station

A gothic doorway beneath crossed brass spears. The keystone is chiseled with a curving notice: POLICE STATION. 

Jan had left the top to her sweater set on the back of her office chair, so she now has a mylar blanket as a shawl. Jan's dad is trying his best to get his voice heard through the ancient glory hole in the stone door of the precinct. 

Mr. Jansdaad: We'd like to report an abduction!

Suddenly, a speaker crackles to life. You don't have to yell, sir we are fully miked now. From what you say, this sounds like a K event, and I'm sure you know we can't and don't investigate or prosecute K events. But we'll send out a hooptie. Mr. Brentridge's estate will be reimbursed for any damage to the cave structure if indeed a K event is confirmed.

Both Jan and her dad sigh deeply and walk quickly in each other's arms across the stone pavement and out of the armored courtyard, back to the bustling lunchtime street. They turn and stand back together against a wall.

Jan: I don't think she'd kill him.

Jan's dad: I hope not, sweetheart. But that's her choice now, isn't it?

All up in the nest

Lloyd is violently shaken awake in time to see the cause of the shaking: the taloned feet, the size of small automobiles, having pushed free from the nest, pointing backward and curling majestically. The feet have  all but disappeared into the distant hazy clouds above the cliff when a tiny K shape comes into focus, soaring purposefully through the mists.

Lloyd: God, no. 

Mrs. Jansdaad has done a brilliant job with her first construction. She has carefully chose the trunks and major branches of young smooth-barked laurel trees, still pale yellow and gummy to the core. There must have been an entire grove of them nearby to create a structure with roughly the same footage, yet more depth, than a large built-in backyard pool. As for the downy padding, she has obviously raided a child's  party and emptied the colorful contents of a plastic ball pit into the bottom layer. On top of that were perhaps the contents of several Mthyuh Preservation Society clothing drive dumpsters. Then packing peanuts, shredded bamboo fencing. 

Law Offices

Door trimmed with a rose trellis. Brass plaque on door: LAW OFFICES

Lloyd Brentridge, Esquire, was always dressed in at least one part of a suit and often had the shirt open to a dark, furry chaos.

Lloyd doesn't actually work for Pharmsupply, and Mr. Jansdaad has already gathered that it is all bullshit when he nevertheless shows up at Law Offices as promised, trembling. 

Mr. Jansdaad: Jan! 

Jan Jansdaad: Daddy!

After a silent moment, Jan explains that she's working for Lloyd now as the receptionist. Also a fact that her dad has already gathered. It is the way she said it that is chilling and familiar. As if under a spell, and not in a good way.

Jan: He will see you now.

Jan's Dad: Thank you honey.

Open the deeper, inner door. Where Lord and Lloyd will either blend or clash.  

Lloyd: Shut the door behind you. 

Jan: I've brought in the records you requested. 

Lloyd: You see your daughter is now under my auspices. 

Jan: Yes.

Lloyd: You probably know I'm not Pharmsupply, that it's all bullshit.

Jan: Yes.

Lloyd: Yet you came anyway. You haven't even taken a seat because I haven't offered you one.

Jan: I

Lloyd: Don't speak. Your wife is turning into a K, isn't she? You don't have to say a word. She missed the second shingles vaccine and she seroconverted. She has to have had a disposition, and I think you know some history on that. Mrs. Jan Jansdaad is not just any old Jan Jansdaad. She had a history before she met you and she has one now. And that history has been as repressed as it is mysteriously irrepressible, like ecriture feminine. A code only a genetic member could translate or inscribe. 

Lloyd starts abruptly, as if he has just heard a hilarious noise behind him.

Lloyd: What is that. What is that Jan. Do you 

Jan: It's disco. 

Lloyd: Don't you think I know what it is? Why? Why, Jan?

The thumping and whirring become louder: Mrs. Jansdaad's now gigantic foot pads and breath become louder: the dreaded disco-like sound of a K on the ground. 

The glass in the window crashes impressively, but all Mrs. Jansdaad can fit through it is the very tips of her beak bones, which she can barely get open wide enough. But she is hungry. 

Because Lloyd Brentridge has his fingers in his ears, Jan's tongue is able to restrain his arms and squeeze around his neck at the same time. 

Mr. Jansdaad [arms outstretched]: Oh, Lord!

Jan and her dad Jan Jansdaad then stand very still as they watch their mother and wife suck Lloyd, their sadistic lover and bully crush, by the neck through the window and then high up into the air in a single, otherworldly burst of power. Father and daughter alone began to look around them there in the breezy office, medical records still floating leaf like to the floor.

Back at Jan's

Jan: You didn't even ask if you could come in. 

Lloyd: We just ate with your parents. I don't have to ask you anymore.

Jan [letting go of his tie]: Lloyd you know I feel very strongly for you but sometimes you scare me a little. 

Lloyd is feeling tired and sits on the sofa. Jan comes back with two beers and joins him.

Jan: I think it hits me in a primeval place when you try and order me around or raise your voice to my dad, but it might be just genes or hormones and not good decisionmaking. 

Lloyd [to the ceiling, as he rests his neck]: What if you didn't have to make any decisions. 

Jan [in a fetal position next to him without touching]: I don't think I would like it at all. [She scoots over and rests her head in Lloyd Brentridge's lap.] But then, that's your choice, isn't it?