Life of Peg

If some professional-primitive magical realist hack painter sloshed together or spent all night smoking pot and fine-lining it all in ball-point pen or traced with a stubby stolen public library pencil in front of an overhead projector image jazzed up by a team of so-called parapsychologists, right onto the stretched skin, the result would be Peg, topless, looking back as if at a history-changing conflagration while visible ghosts of the beloved buzz all around her head, advising or just projecting reminders into this waking plasma that they existed and of what they meant.


Phyl
"por parte mia"

i hate...

i hate having work things in my personal box and personal things having my work box,
or i hate it when there's personal works in my things box or personal-things work in my personal work boxes.
i hate it when there's work-box things in my personal thing box,
or boxes in my things or when things are not in their boxes.
i also hate doing thing-box work when i could be spending personal time boxing my personal-things work.
But mostly i hate working on things personal while things from the working thing boxes at work work at hating my person.


Connie [R.I.P.]
"All I get is pretty."

God Beggars

God beggars are gods that beg God for food,
and they starve feeling bellies full of good news.

God beggars beg until their nuts are blue, eager
to dream a century of virgins saying what to do.

Virgins beg a god t' make their sufring history'n,
that "this" once again have ambiguous meaning.

She felt th' begging as a wordless urge, but din't
make of it a saying, can't be judged for wanting.


by Phyllis

I'll Make the End of Life Really Beautiful for You

I'll be there in confident open blouses and pearls over tank tops. We'll be gliding through wooden-paneled hotel lobbies with the bouquets in giant vases. I can be titty all up in your face but I know that dying isn't only about that. Maybe you want to imagine naked slick slavery helping your way crib to kingdom, the backs of naked slaves maybe with fringes, gold satin cord. Stop and screen this: I am whispering Wall Woman's Blade of Grass in yr ear with yr eyes closed and you're seeing the grass. All of it.

"White Chocolate"

Algorithms of an Executrix

Her cataclysmic world's a rocking canoe: while you just can hold on, every moment is an upgrade. This is when sometimes people they start to sprout alternate personalities that can better handle the stress and strain of any given situation/ problem.

For example White Chocolate is a chick who's been hurt but still has a social craving and a sexy, hurt sexuality about her, very much into stockings. Sometimes guys guess she's a dyke, and girls think she'd make a handsome man. She started out practicing quick comebacks, for about 20 years, like it's cuz I'm sweet, but then she settled into folks thinking she was a freak even without knowing her name. Even fewer could have guessed it was Peg in lip gloss.

Another apparition sits with his legs tightly crossed and a can held at face level. Seems to have had one of the fingers on that hand removed for a better tipple. He can remember events of many years ago, but none of yesterday's. "Alan" has the permanent look of a monsoon native trying weepily in exotic tongue to explain the disaster to first responders and direct their efforts toward where they'd be most fucking needed.

Then it would be time to do the laundry, feed M'Lady. M'LADY Peg'd shout as if a cry for help at a lower creature could yield much but hiding in bushes. She's trying to express all the fear and exasperation of a braking middle life in an empty nest strewn with needles. Just her own raw self, without K-mones, couldn't be more inept at operating its shielding or filtering systems much less the measured algorithms of an executrix.

Phyllis

On Peg's backstory

Peg and the kids made house of a large working fridge in the middle of the desert. They could peek out, run back and forth from the car without singeing their faces.

When there were clouds it would be time to scout curling lines in every direction; it was like a ranger's post. They could burn garbage at night in steel barrels with holes poked by some unimaginable force.

Paper goods going made a multi-eyed jack-o-lantern, sparks blowing out his top. Phosphorescent scorpions, exoskeletons, clattered backwards from the light.

Inside, they welcome their own smells to remind them they're alive. Yet they feel kept only fresh, and how celery skin will start to slough and ice on the inner curves.

While Ted was out reporting the news in his salt-n-pepper beard, there was overall fear. When the dog held his breath to prick motion outside, a general MUTE was applied.


Phyllis
"Thinking about Peg's backstory."

The Future is Just a Cushion

The future is just a cushion between now and you know what.
The future is a cheap cushion with a hard, uncomfortable button right in the middle.
That cushion's button, squared and wooden, is the wheels on Ilyn's cart.
Ilyn's barely moved an inch in 20 years, except for straight down into crust.
A chesterfield sofa is an illusion of softness the way its buttons pull the surface in.
Illusions of depth are often mistaken as illusions of time.
Time does not exist. Time is a lie. The lie of time is just enabling your blindness.
You are blind because your face is buried in a cushion.

Peg

Identification Shell Slough

Missy, coughing blood bubbles, skew-winged and grotesque, pends between her stucco front porch railing and a massive iron drug store scale, still teething on a rubber diving vest. 

MISSY: In this my third iteration involved in these habitats i invoke, even before the fangs set and i can lift myself steadily from this misery on fully formed arms of flight, the names of my pre-carriers, for at any moment I know I shall lose their recollections.

SOME VILLAGERS: Don't tell us! Don't say the names, for we cannot hear!

MISSY: The names are Chama Tilly and Reptily.

SOME VILLAGERS: Great. That's just great. Now we'll have to go back into the records and produce some recompense for any act of disrespect tordall and any persons with those names.

MISSY: I would certainly hope so.

VILLAGER WITH CHIN LIKE A MIRROR HANDLE: How can we cope with having viewed your hideous molting, or...

MISSY [literally bending over backwards]: To take those backwards, I'd opt for meta-cognitive talk therapists and the term is "identification shell slough."

First-flesh venture

i am a genetic line
where vertebrae grew along it
and a nerve bubble formed
the faceless prototype head.

my parents were so unworldly
that i wanted to mount every trend
and i metamorphosed from within
so no special effects were needed.

when you learn you're descended from a pantheon
of first-flesh venture
you can roll out your tanking chakras
and they sparkle like dimes in a rug.


Chama Tilly

Once her hairdo missed the bell clapper, she had to say her own prayer.

Mthyuh it's a test
of how bad it is
that I insult my own beliefs
to moan your name.

Donna

Spam n' Eggs on a Plate, Stat!

Hey Mr. Big Tiny, y'gotta tiny big prolm?
Why doncha getchr big'n tiny off th' street?
Hey, Mr. Big; hey, Tiny Big. Where's yr
Tiny Missy, Tiny? Tiny Big, y'lostyr little
Missy Tiny Little Big. Yr gonna hafter sit-
chur big n' tiny body down fr spam n eggs!

Cause Me to Seizure

Metaphors Within Shmetaphors
Two of the four seasons
A menacing shorter man
sympathy for another
intensity of today's sun
i remember what i used to remember
don't know what i'm doing here
cause me to seizure

Ilyn

8 More Lipsticks

stay you die/ leave you die

Unrequited Suitor

random, but constant

shame for change

Day of non-participation

Had a Little Grip In

Drag on The System

Big Ol' Quinoa Party


PharmSupply

Phyllis on Jan Jansdaad

I recently had some down gal time with Jan Jansdaad, the daughter of Jan Jansdaad, Jan's dad. What's it like to be invisible? Is education overrated by the uneducated? How does she mean when she say "take it like a flow"?

PHYL: Jan you're one of my favorite co-bloggists because, I donno, you're less assuming and I guess self-defacing in a way.

JAN JANSDAAD: Thanks Phyllis. I used to think that you asked questions because you just wanted to get a grip on the right switches to totally turn someone off when you go bored. That you insinuate into people's lives and become meaningful to them only so that you can then later, for your own amusement value only, come up with the deepest possible way to hurt their feelings. The idea that psychological violence is better because it's legal, otherwise you would be a real murderer.

PHYL: Oh! But all that changed when...

JAN JANSDAAD: Right, since I found out you're embedded by the Sports N' Sex Crimes Bugle. It's cool-- in fact I feel comfortable being exhibitionistic with you now.

PHYL: So Jan, who are some of your favorite authors directors thinkers.

JAN JANSDAAD: You know I never have been one to maintain a lot of names in my accessible memory sectors. And even though uh Wayne and I are growing old in our empty nest, I've always not bothered with --and couldn't have anyway because I'm not capable-- human names. Baseball players, presidents, writers, directors bands poets. I just tend to take it like a flow, enjoy some music or a book, but not feeling obligated in any way to care who or what was the creator.

PHYL: So for you it's not old age or lack of education but rather brain capacity, strong sense of personal style and religious belief. Basicly any kinda nomenclature is Satan's nature; there is only one godhead. Now. "Take it like a flow"?

JAN JANSDAAD: That means be in the moment, Phyl.

PHYL: Why do you think it is that people don't notice you?

JAN JANSDAAD: We've taken steps over the generations that leave shadows like veils, and what in some places would be actual veils. Our behavior acts as an invisible burka. Leering shock envy dishonor my body, which resonates disrespect back hundreds of mutations. Moreover, modesty itself is a shield.

PHYL: Do the poor resent us.

JAN JANSDAAD: The dignified of any class can harbor no resentment toward another.

PHYL: Well spoken, but...

JAN JANSDAAD: Who's got a well spoken butt?

PHYL AND JAN: HAHAHAHAHA!

PHYL: Ok but really [smile]. Who is your God?

JAN JANSDAAD: You should know; I'm sure you tryda make a deal and beg him all the time.


by Phyllis

2nd Burnoff

Bad genetics

Every single facial expression
my face is capable of making proves
inappropriate for any situation.

But how often does the environment twist itself
hard enough to wring you into hovering orbit?
Enough to make it seem like an interminable hell.

And wouldn't it be better if, like the mail,
you could say i don't accept this,
i won't accept this-- it's the wrong address.

when you let your body take charge and speak for you,
it'll take its electrical cues from the mind,
so you're back where you started, with bad genetics.

Genetic shadows

When it's late and extra quiet, when the seasonal owners have gone on beyond to the next temperate happening, we see something like the flicker of candlelight, a sample of many a typical evening take a hundred years, or skipping continents. But here it's from inside the ancestral mind, where your instinct uses nuances of weak electric color to project target practice for its most visceral calibrations.

Only one curly bulb can make of a peaceful den a psycho-dramatic playhouse or frozen backdrop for dreamless, open-eyed sleep. A real estate photo might make these furnishings seem cheap, as if someone had opened wide the theater doors in the middle of a noon matinee, and it's all exposed and sordid and ruined, the giant protective stone lid removed from the top of a maze of clowns.

Genetic shadows twitch like atrophic limbs, facial spasms. An intensity of the left eye; the other's from the head of another guy. This personic blend can only see one life and its offset double, never truly two views; when they say a horror lasts forever, they mean across millennia, and it throws switches along its own strand. What I've always known, even since before I was a man, is nature and Her cruelties.


Donna
"I confess."

Prayer Gong

i can almost taste lake michigan on my lips
and breathe the rot of autumn at close grip

when i say god and gaze upon a place
in the curtain hanging black across His face

the fabric falls away and my eye goes distant
to a floating island in an upper quadrant

looking way beyond because it's been so long
since the call to prayer for me's been gonged.


Donna
"Mthyuh...I'm so grateful..."

dieoff up ahead

Never mind the swollen sea of young behind;
What concerns instead's the dieoff up ahead.

Our exercise of awesome individualist power,
god's voice one with making the right choices,

is good now if it will be or ever has been good
tho I reckon it's hard t' see thru a circle of fire.


Peg
"Really thinking. Kundalini thinking."

Entry Portal Craw Circumference Dimensions

As a virgin parson's son is out about his day, and just as he is ready to grant his first true blossom to a ruddy shop girl, he is seduced, literally hoisted by the roof of his mouth with a pair of thumbs made into hooks, by a scarred, hairy older man in a suit open at the neck, a handsome bearded but sadistic aristocrat.

The cruel and charming duke turns out and sets to chain the bewildered parson's family's only son for seven months in butt plugs and scrotal weights. He forced that the boy, wearing more than seventy tiny rubber-on-metal clips beneath a kimono, say goodbye to a friend who lay expiring in a mechanical bed.

Preacher's kid eschews the magnetic grip of the lusting mastermind and his duplex in a canyon highrise by scaling back to earth along the slippery yokes of the anonymous and undocumented classes, training in return their progeny on what to say to be redeemed in the context of the host society.

When he wakes up in a cooking pot with a cassava root and a pound of celery, broth to the chin, he stands and gathers his fortune slowly wrought from proctoring and chalk, returns triumphant to the scene of his pubescent initiation frights and is immediately tricked by a familiar voice behind a cape.

You've taken seven years to be away, and now another seven alone with me you'll stay attached to a radiator pipe in a pretty prison full of playful castrati maids. Your still warm nest egg isn't all you've signed away on what you thought was a petition to lift restrictions on entry portal craw circumference dimensions.


Odrin and Ayre Fromme-Diaz